Ravenheart Music: Album Reviews

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LIV MOON..'SYMPHONIC MOON'

(Victor Entertainment) Reviewed 17th February 2012

The Japanese/Korean/Swedish/Polish operatic goddess Akane Liv and her incredible band are back with a third serving of her symphonic metal. She has distilled the best elements of her last two albums into a staggering collection that has some songs in English for the first time, if she unleashed a fully English version, it would slaughter the world, it's that good. That five octave voice is at full awesome power, get the broom ready for those notes that will bring the house down, literally. Where do we start? The Nightwish esque grooving rocker 'Amen', the awesome anthemic 'Alchemy, or the funked up 'Fugitive'? The stately symphonic 'Fallen Angels Smile', the amazing speedy power metal 'The Last Saviour' that will have you air shredding with Cheesey like a demon, or 'Black Serenade that sounds at times like a turbo charged Mission Impossible theme, this review will self destruct in 15 seconds..... My favourite is the ridiculously catchy 'Kiss Me Kill Me' that would make a great James Bond theme, she sings “take off the ring, take off my clothes, dance with me now”, phew, errmm, well, if you insist, how can I resist? She ends with the Queen esque 'Masquerade' where she uses the full gamut of her voice, from playful, to dramatic, to deep down in her boots, to up in the heavens. Another thing that separates this album from so many solo projects is the sheer musicianship, creativity and power of her band, there's no going through the motions and picking up the pay cheque, they really give it some hammer, and the production is again perfect. An awesome album that thrills from start to finish so I'm off to phone the builders, her web page is here, an alchemical 9.5/10 (Phil)

LEADLIGHT ROSE..'SWEET OBSESSION'

(Self Release) Reviewed 10th February 2012

Australians Leadlight Rose, “the drink that satisfies”, are the four year obsession of virtuoso singer Ellah Rose and her long suffering drummer Geoff Irish, their life was not a bed of roses until they eventually hooked up with guitarist and keyboardist Jesse Higginson and bassist Matt Cuff to ferment their first vintage. Describing their mystic east infused, soulful melodic symphonic gothic progressive rock/metal is a thorny question, they entwine their way between Therion, the Lust, Angtoria, The Reasoning, Porcupine Tree, Akribi, and Adele, gliding gracefully from dark gothic to majestic symphonic to powerful/light melodic prog to almost contemporary R&B. Leading light Ellah throws her heart and soul into this album with her bluesy, soulful and occasionally almost operatic voice, taking a lot of risks at times especially with the way she sometimes uses jazz style nuanced phrasing and improvisation, she certainly gives it absolutely everything and never hold back, a singer with real talent. They offer a set of fascinating songs written by Ellah and Jesse that fit together beautifully but are never predictable, they believe in expression and going with their hearts, not being put in a box and labelled. Highlights include the jazzy powerful ballad 'The Dance', the humongous 'Your Ghost', the amazing symphonic ballad 'Symphony', the epic final track 'Sanctuary' with it's emotional acoustic hidden song 'Sweet Obsession', and I also really like the bonus track, a cover of Bjork's 'Joga'. Very occasionally there are a few understated and very low growls, done by Jesse and Matt, like on the emotive dramatic 'All Knowing Eyes', showing that if it is done right, it can be very effective, adding to the atmosphere, but not taking away from the music, Epica please take note. Jesse proves himself most adept on both keys and fretboard, will loads of excellent instrumental flourishes, and his production is good and clear, he must have spent countless hours in the studio on triple shift. A remarkable and highly enjoyable first outing that reveals new flavours with every refill, so ramble to their Facebook for a taster, a hugely refreshing 9/10 (Phil)

LACUNA COIL..'DARK ADRENALINE'

(Century Media) Reviewed 6th February 2012

Lacuna Coil are the last of the big four to unleash a new album, but while Within Temptation and Nightwish have courted controversy with their new directions and the debate continues over whether Evanescence are still the force they were, the Italians have steered a more conservative course as they look to build on successful sound of their last album Shallow Life. They have of course evolved and matured over the years, heading away from their gothic roots towards a more nu-metal style that is more suitable for the American market where are they are far more successful than their European counterparts. The constant has always been their dual vocal attack, but even here Andrea Ferro is now exclusively a singer without the grows and screams of their early days. The star is undoubtedly Cristina Scabbia, without her X Factor I doubt whether they would have ever risen above relative obscurity, brutal, but probably true. Opener and lead single 'Trip the Darkness' shows that they have turbo-charged their sound, dark adrenaline is a very apt title, it's heavier, darker, denser. With 12 songs packed into 45 minutes they don't hang around, so don't expect many instrumental breaks or solos, the band are there mainly to provide the canvas upon which the vocals lines are painted. I know Andrea has come in for a lot of stick, and often much worse, indeed many men would have thrown in the towel, but their tried and trusted formula of Cristina and Andrea taking it in turns to sing the verses and choruses has proved be very effective, and it gives them a different sound, a yin and yang. The first five tracks pass by in a blur, the lighter slower verse of 'End of Time' suddenly makes you aware of a temporary change in dynamics, showing that it is difficult to differentiate each song, they are all of consistently high quality but the variations between them are more subtle than startling, which only become apparent with repeat listens. The songs depend on vocal hooks and choruses, for example the hip shaking 'Fire', and what really stands out are Cristina's remarkable bursts of vocal gymnastics on songs like 'Trip The Darkness' and 'Intoxicated'. Their version of 'Losing My Religion' fits in so seamlessly is so unrecognisable that if they had changed the lyrics, they could have claimed it as their own. There are often snippets of electronica or atmospherics, as at the beginning of 'Give Me Something More', but they always seem in a rush to apply the power, it would have been good to sometimes explore these more or add some extra instrumental imagination, creativity and flair here and there to create some light and shade and the “ooh I like that bit” factor. On the final track, the moody mighty 'My Spirit', they do take the foot slightly off the gas and allow themselves to stretch out more. A hugely impressive album but perhaps not particularly memorable is the best way to sum it up. Andrea and Cristina have never sounded better, but I expect more musical creativity apart from a very professional and proficient backing. An adrenalin fuelled 8.75/10 (Phil)

LYRIEL..'LEVERAGE'

(AFM Records) Reviewed 12th January 2012

This is Lyriels latest offering, and it continues to see the band improve within the genre of Gothic Folk/Metal. Their previous releases have been okay, with their last album 'Paranoid Circus' kinda hitting the spot, with the band generally more or less entrenched within the Folk/Metal style of music. 'Leverage' sees the band upping the ante so as to speak, with a heavier guitar orientated and very accessible sound, but still with Folk elements bubbling under the surface. To be honest, Lyriel without the 'Folky bits' would be like having a car without the steering wheel. A rather weird 'Intro' gets the record underway, that then gets into gear rather nicely with the very bouncy and rather catchy title track - imagine Nightwish jamming with Within Temptation and Imperia! This is a great start to this 10 track offering! 'Parting' maintains the promising start to the album, a heavy and another bouncy number with the folk elements putting in an appearance on this one. 'Voices in my Head' is another heavy number with some mighty guitar riffs that drive this track along - awesome! A great chorus too. 'The Road Not Taken' is a great acoustic/string driven ballad that then explodes towards the end of the number - great! 'White Lilly' pounds along with lotsa ooommpphhh in the guitar department and yet another hideously catchy chorus to sink your teeth into. We have two tracks sung in the band's native tongue that are good old Folk/Metal standards, while the pounding 'Side By Side' and the very cool 'Repentance' close this record. To summarise, this is a lot heavier than their previous offerings which may please those punters out there that may not be too keen on the Folk Metal ingredients (which are still there by the way but not so prominent). Listeners will gather their own ideas, but imagine a mix of Midnattsol, Xandria, Nightwish, Within Temptation and Imperia, and that may give you just a rough idea. I find that this release from the band should offer a wider appeal to the fans of the female fronted scene than their previous offerings, and is well recommended by us here at Ravenheart.. 9.25/10 (Dave)

LILYGUN...'SCUM' Single

(Zeff Music) Reviewed 10th January 2012

Reviewing a single is always difficult, as it just gives me a brief insight into what a band may sound like, but even so, singles are sometimes not representative of what a band may really sound like on a full album. Lilygun is primarily Anna-Christina, the songwriter/singer/guitarist with various musicians that rotate frequently around her, both in the studio and on stage. Her unusual combination of classical roots mixed with intense aggression, has resulted in an uncompromising and unpredictable Rock style that has an edge to it. Her music has been described as a shower of bullets and petals. The single 'Scum' may suggest some hardcore/punk track however, but that cannot be further from the truth. This is actually a very good and rather commercial slow to mid paced rock track, that picks up the pace in the chorus before slowing it down in the verse. If this style of music is what Anna-Christina has adopted, then she and her band could well be going places and deserve too aswell. 'Scum' gets released end of January and will be worth checking out. Meanwhile, look up the band's facebook here.

LADY MAGGOTT..'UMBRA' EP

(Self Released) Reviewed 10th January 2012

Here we have a band whose founder members are Polish, but they are residing in Ireland. Lady Maggot was formed in 2010 as a project between friends Martyna ‘Moyra Noise’ Hałas and Piotr ‘Niemiec’ Niemczewski. Piotr’s metal approach to music writing and his guitar technique, were perfected throughout the years in death metal bands such as Mortis Dei and Puki Mahlu, and Martyna’s experimental but ever so slightly catchy vocals, are a result of participating in stylistically different projects and bands. But before any of you out there start to panic thinking that this is going to be a Death Metal Growl Fest, please do not fear, this is quite a melodic and rather catchy offering from these musicians. 'Penumbra' is an intrumental opener, which is followed by the rather catchy sounding 'Eclipse'. 'Love' is another catchy number with a 'cacophony of noise' from the guitar department, but very acceptable 'noise' I must add. Some great fret work from Piotr throughout this album I wish to point out. 'Mysterons' has an industrial feel, and is another awesome tune, while the acoustic based closer and title track 'Umbra' ends this little epic. This is a little different, but it is good, and I would recommend that fans of Female Fronted Metal Music (The Gathering et al) check this out. Try their Reverbnation first....8.5/10 (Dave)

LAPIS LAZULI..'A JUSTIFIED LOSS'

(Self Released) Reviewed 14th December 2011

Formerly known as Aftermath, Swedish six piece Lapis Lazuli fronted by Frida Eurenius send my way another album of keyboard infused Symphonic Metal to blow your mind. 'Facing Demons' is a keyboard infused instrumental opener, that then siegues into 'Leaving Scars', that offers up Nightwish style intrumentation, with the keys and synths playing a major part in providing the symphonic elements. As well as the female vocals by Frida, there are also male vocals throughout the cd, these provided by keys man Timo Hautamaki, which add a nice variation to the music on offer. Although a symphonic album through and through (just listen to 'High'), the vocals of Frida cannot be classed as operatic, more of a pop/rock style, but I do feel she struggles on the odd occasion to hit the higher notes, which is a shame. 'Angel Without Wings' reminds me of Within Temptation and is one of the more accessible numbers on the record, while 'Burning Bridges' ups the tempo even more with Nightwish again springing to mind - Timo is sure a keyboard virtuoso on this and all the other numbers on the record. 'Alive' is an awesome metal ballad with a solemn string intro that provides a welcome breather, and actually fits in quite well within the framework of the album itself. Great vocal performances by the way from both Timo and Frida. 'Lies' kicks things back into gear, a mid paced piano/guitar orientated song with lead vocals by Timo this time, with 'Faith Forgotten' seeing Frida returning to the helm, this being another heavily orchestrated mid paced track. Meanwhile closer 'Leave It All Behind' is a solemn instrumental combining piano and strings. To summarise, the world of Female Fronted Symphonic Metal could be classed as a crowded one, but Lapis Lazuli do not disappoint with this offering, and fans of the genre should lap this up. I would call this a grower, while it can be purchased in physical or digital formats from cdbaby. Recommended... 8.5/10 (Dave)

MORNINGSTAR (EP)

(Self Released) Reviewed 13th December 2011

Morningstar hail from Rugby here in the UK and was formed around 9-10 months ago, so they are fairly new kids on the block. Anyway, I have been sent their EP to review and I like it. Three tracks of Melodic Hard Rock with some hard rockin' riffs. There are two vocalists on board, Steve Franklin and Beth Tysall, and all three tracks comfortably sit in the groove rock genre, with catchy riffs, soaring clean vocals and just that upbeat joy that you can almost bounce to. Beth has a fantastically strong voice that can be soft enough to melt your heart and strong enough to break a chunk of ice. Steve has a powerful and clear voice, which ranges from the bark of Hetfield through to the sizzling highs of Vince Neil. My fave track has to be the melodic 'Bystander', a track that would sit quite comfortably on rock radio. Indeed, all three tracks scream radio airplay. Steve seems to be the main vocalist here, certainly on 'Bystander' and 'Wrongside'. This is good stuff, they have a great image so check them out at their Facebook. Recommended! 8.5/10 (Dave)

MINDED OF HEART..'TRUST IN YOUR PATH'

(M & O Music) Reviewed 12th December 2011

This French formation were founded in Orleans, France, by guitarists Loïc Perrault and Cyril 'Alodys' Lhullier in 2009, and are fronted by striking flame haired seductive chanteuse Jessica 'BeetleJess' Richy. Their heavy gothic metal is around Kells, Markize, Delain, Angtoria, Sirenia and Semblant, but I have rarely heard a band that combine the beautiful and the brutal with such aplomb, which puts them out on their own. On the one hand you have BeetleJess's melodious vocals that are somewhere between Sarah Jezebel Deva, Madonna and Amy Lee in style, great tunes, gorgeous interludes and Zeimmer's atmospheric keys. These are juxtaposed with Loïc and Alodys's thunderous riffage, Fanny pounding her bass into submission, Alodys's occasional sun-sonic growls that accent the bursts of barbarity but never dominate, and drummer Hedi pummelling his kit like a man possessed. It can be terrifyingly earth shattering and sublimely melodic simultaneously, by the end you feel like the guys have beaten you black and blue while BeetleJess caresses you with soothing kisses. Songs like 'Where Am I' and 'My Heart Cries' set emotive alt-rock melodies against a ferocious backing, while 'Erase' and 'Tyrant's Law' head towards Angtoria symphonic, but the pick of the bunch is the title track 'Trust in Your Path' (video on Female Voices blog) where their mighty metal overlaid with BeetleJess's mellifluous vocals, catchy tunes and Zeimmer's tinkling keys, with a lovely lighter section. This is an album full of contrasts, 'If I Try' is absolutely achingly beautiful with Alodys showing a has a superb Mats Leven type voice, he should use it more, but on the next track 'You Make Me Sick' he makes an unholy noise, as you can imagine from the song title, that will frighten the the living daylights out of you. 'I Wasn't Strong Enough' starts beautifully and then develops into a ballad with a rampaging almost death metal accompaniment, extraordinary, I don't know if it works, but it's certainly different. The production by Loïc and Alodys's is suitably immense, with enough explosive power to create nuclear fission. Minded of Hearts have a style all of their own, take away BeetleJess and the songs and you have a very heavy gothic metal band verging on death metal at times, take the band away and you have alt-rock verging on pop at times, put the two together and you have a unique liaison. Follow their trusted path to here, a brutally beautiful 8.5/10 (Phil)

MY RUIN..'A SOUTHERN REVELATION'

(Self Release - download) Reviewed 6th December 2011

In 2010 My Ruin signed a 2 album deal with Tiefdruck Musik based on lengthy conversations with label owner and founder Daniel Heerdmann. In July, My Ruin delivered their 6th album 'Ghosts and Good Stories' to Tiefdruck Musik. The band were on a high after recording what would soon become their most critically acclaimed album to date and everything felt great. They had begun to confirm shows for a European tour and were looking forward to working with their new label, when suddenly there was a strange and unexpected turn of events and Daniel Heerdmann changed from being their biggest supporter into their most vicious adversary overnight. There is more, a lot more but space does not permit. However, in the eye of the storm, multi instrumentalist Mick Murphy and vocalist Tarrie B (Mrs Murphy) decided to vent their anger and frustration by writing their thoughts and putting them to music while home in Los Angeles. Soon they found themselves at Soundtrack Black Studio for 3 very cold and snowy weeks, quietly making what would become My Ruin’s 7th album, 'A Southern Revelation', an album that kicks mighty ass from beginning to end. Opening track on the cd, 'Tennessee Elegy' kicks things off, it has riffs as hard as stone, and vocals that spit venom that would scare the scariest of poisonous reptiles, proving that Tarrie B is on top form with this release. The track 'Middle Finger' (and I think I know who the middle finger is directed at) offers up some extremely angry lyrics while in the process of unleashing the beast, with closer 'Mean Street', being a Van Halen cover from their 'Fair Warning' album. 'A Southern Revelation' stands alone in My Ruin’s catalogue, with violent scream vocals and spoken word over stone cold crisp yet doomy metallic rock guitar riffs.This is an honest, aggressive, brutal and rather intense release from a band that play Metal as Metal should be played. It will be available on free download from Dec 7th exclusively at www.myruin.net, so if aggressive Metal that will pummel you helplessly to the ground is up your alleyway, this is well worth checking out.. 8.75/10 (Dave)

MIDNIGHT CRY..'FIGHT FOR THIS CRIME'

(Self Release) Reviewed 5th December 2011

This eight piece from Washington State, USA, started out as a Christmas band inspired by that ultimate festive formation The Trans-Siberian Orchestra, but after various line-up changes they are now about to prove that a band is not just for Christmas with this début album without a hint of holly, although following Yuletide tradition they have released it just in time for Santa to pop it down your chimney. American symphonic metal bands (eg. Operatika, Cassandra Syndrome, et al.) tend to have a rougher, heavier, more soprano operatic sound that owes a lot more to traditional heavy and power metal than their highly polished more classical, romantic and gothic European counterparts (Narwhal Tusk, Illuminata, etc.). Midnight Cry not only break the mould but smash it out of the ballpark with a style that is based on Silent Force era symphonic gothic Within Temptation mixed with some Cryoshell, Evanescence, Reasoning and prog to create a transatlantic pact. You get two of everything including twin guitars, double keyboards, and a pair of lovely leading ladies under the mistletoe, Amalie Marte and Danielle Dupey, making for a very impressive multi-layered sound. They both have fantastic voices that also fall somewhere between Sharon Den Adel and Amy Lee, and as they are both quite similar and use lots of interplay they remind me of Illuminata's Nieniewska sisters. The music is sumptuous and sweeping, spiralling from seductive calm to soaring refrains, decorated with tremendous instrumental passages, perfectly personified by the awesome lead single 'The World I've Made' (video on Female Voices blog). It's stuffed with a vast array of guitar sounds including some terrific solos by Trevor together with Leighton's rippling Bruce Hornsby esque piano and rich lush string sounds, the interplay between them is quite breathtaking, ably supported by Lamont, Jesse and Ryan's rock solid rhythm section. Every song is a concise mini epic cracker, there are so many goose-bump moments when you just have to gasp “ooh I like that bit”, but special mention must go to 'All of Me' with its sublime melody, the power ballad 'Moment of Truth' and the superb title tracks 'Fight' parts one and two. There is a nice balance to the album, with a scene setting atmospheric intro and a wonderful instrumental interlude that allows you to get a mince pie and glass of sherry, and it's all lovingly produced by Leighton and his co keyboardist David. This album is certainly no turkey as America now has a band that can take on the European leading lights at their own game, so everyone who loves symphonic gothic and alternative metal should put this at the top of their wish list. Their grotto lies due north here, where you can buy it on CD or download (BTW how do you gift-wrap a download? Virtual reality wrapping paper?) along with other splendid stocking fillers, and not being a Scrooge, I will present this with a celebratory 10/10 (Phil).

MASTERCASTLE..'DANGEROUS DIAMONDS'

(Lion Music) Reviewed 20th October 2011

This so happens to be the third album from these Italian Metal Maestros, and I so happen to admit that I have not really heard much of their music before. Shame on me as Phil reviewed their last labum for Ravenheart, but I now have the honour to review this latest effort. To be honest, I had the idea in my head that this was going to be an in yer face metal album with lots of widdly diddly guitar solos. But to be honest, this is a straight forward Melodic Metal album with great but not over the top vocals by Giorgia Gueglio and the guitar solos are there, compliments of Pier Gonella but within the context of the music. Some good melodic belters on this record, and I can also imagine Ozzy singing second track in 'Alone'. Don't ask me why, but I do :) 'Time 4 Lovers' is a great melodic mid paced rocker that brings back memories of the hair rock of the 80's, with all the songs on this release hideously catchy and melodic. I am reminded to a degree of 80's rock/metal in-fact, but there again, I was seriously in love with the 80's hair rock scene anyway. The album also forays into Power Metal territory with the title track and 'Sixth Sun' being prime examples, while we also get treated to an instrumental, 'Blue Diamond'. There is the customary ballad of course, 'Lovin' Me' is the ballad here, and I can be a softy at heart when it comes to a good ballad. This record is a good little diamond to be quite frank, and will be worth picking up when it gets released on Nov 18th. 8.75/10 (Dave)

LAHANNYA..'DYSTOPIA'

(Kabuki) Reviewed 18th October 2011

Lahannya is a lass whose career I have been following ever since she released the single/EP 'Drowning' in 2000. She has moved on a lot since those days, and the Brighton lass is now a name to be reckoned with within the Industrial Rock, Gothic Metal, DarkWave and Electro scenes. She has also taken part in various collaborations along the way that I am sure has kept her very busy. 'Dystopia' is Lahannya's third full length album and is the second album from the Dystopian triology, and picks up where her previous album 'Defiance' left off - the protagonists have to come to terms with the consequence of their utter defeat and betrayel from within. Twelve tracks of Industrial Rock/Gothic Metal, and I must say that like her other releases, this is a consistent release from Lahannya, with hardly a filler in sight. Some great melodic anthems to bang your head too like the title track 'Dystopia', 'Save Me', 'Never Enough' and one of my faves 'What Kind Of World'. We also have a great production from bassist Lutz Demmler who I must say is an absolutely great guy, plus like the last release, the packaging is awesome! This is a very good release and is well worth checking out from a girl and her band that I rate very highly indeed....9/10 (Dave)

LE MONNIER..'RUSSIAN DOLL LIFE'

(Self Release) Reviewed 4th October 2011

Le Monnier fronted by Jersey born Alex Le Monnier who also takes on Bass duties is a three piece, with Alex ably supported by Matt Keil (guitars and piano) and talented South African born drummer Josh Williams. 'Russian Doll Life' is a 12 track album featuring the singles 'Con Amor Siempre' and 'Hidden Faces', and overall is a strong recording from this Hertfordshire based band. Although all the band members put in competent performances, the highlight has to be the powerful vocals of Alex, who delivers a sterling performance on all the numbers here. She can sure belt it out, whether it's on the Blues tinged Rocker 'Con Amor Siempre', the powerful ballad 'Home', the slow brooding 'Say Who You Are' or rockers like 'Haunt Me' and the seven minute plus 'Mediocre Me'. Taking into account the vocal style of Alex, I wonder whether Le Monnier should attempt an Amy Winehouse cover live, maybe they do? Anyway, just a thought. Great stuff from this Hard Rockin' band, check them out at their Facebook, well worthy of an 8.5/10 (Dave)

MY BLACK LIGHT..'HUMAN MAZE'

(Massacre Records) Reviewed 3rd October 2011

Italians My Black Light are new kids on the block. Formed in 2008 by Monica Primo and keys man Rudy Coda Bertetto, they had been playing for years in various cover bands and the like. In 2008, they then decided to chance their luck at writing their own songs through their My Black Light project, and lo and behold, it was a good move, as it now sees their debut album being released through Massacre Records. The music on offer is your typical Gothic Metal fare, with some good tunes and great musicianship all round, although I must say that it is not that much different to what a lot of other bands in the genre are doing. However, that must not put you off, as this is right up my musical alleyway. Tracks like 'Being Human' that feature backing growls by Rudy with a choir to boot, plus Middle Eastern infleunces too is one such awesome number. Oh, and for all you growl haters out there, the growls on this release remain subtle. Monica's vocals meanwhile, remind me a little at times of Christianna from Elysion. Other corking numbers on this 12 track release include 'The Abstainer', 'Deadline' and 'A Lie For Eternity' featuring Rudy on clean vocals as well as the lovely Monica. And closer 'Un break My Heart' is the Toni Braxton song given the My Black Light treatment. As I say, there is a lot of this style of music around at the moment, but there is nothing wrong with that, so I give this a Ravenheart recommended 8.5/10 (Dave)

MALEVOLENTIA..'Ex Oblivion'

(Epicural Productions/Seasons of Mist) Reviewed 9th Sept 2011

Ravenheart Dave has given me this review to do on my day off from work. The innocent looking blond I may be, but I do love a little bit of extreme metal now and again :) Malevolentia come from France, and to be honest, France is not the kind of country I myself associate with Extreme Black Metal. Well, that is of course until you come across Malevolentia. This band has produced an epic Black Metal album here with tons of attitude and balls, so much in-fact you could sink a cruise liner under the weight. If you are looking for Melodic Gothic Metal that you could play to your Grandmother, then forget it people, this is heavy, real real heavy. However, we do have melody and yes we do have keyboards, and indeed the keys and orchestration do give a kinda film score feel to the music, 'Dagon' being one such track with that epic feel, awesome indeed, while 'La Nonne Et L'Incube' has some rather sexy noises towards the end, listen and you will hear what I mean. I used to be in an Extreme Metal Band (keys and synths), and I always wondered how the singer did it, and he was a guy. This lass responsible for the noise here is simply known as Spleen, and she produces a totally amazing oblivious cacaphony of noise in her native tongue, that is a match for any of her male counterparts in whatever language they sing. You know what? I like this...it may not be Dave's cuppa tea but there again, that is why he gave it to me. Thanks Dave! Check the band out at their facebook site....I recommend this for fans of this genre of music, 8.5/10 (Rachel)

MEDEN AGAN..'EREVOS AENAON'

(Self Released) Reviewed 4th September 2011

Greek Band Meden Agan was formed in November 2005 in Paris, France by guitarist Diman Koutsogiannopoulos. Their first demo was released in April 2006 and received very good reviews and feedback. Their first full-length album, Illusions, was released in November 2007, and contained progressive metal songs with male vocals. During that period, the band shared the stage with bands like Pain of Salvation, Skyclad, Within Temptation, After All, Bloodtales, ETHS, and The Old Dead Tree. After a one-year hiatus as Diman returned to Greece, Meden Agan started working on new songs featuring lyric leggero soprano vocalist Iliana Tsakiraki and a new keyboardist. Soon, they released their first EP, which was called 'Nemesis – Promo 2010'. I know at the time this caused a stir on the underground metal circuit. However, that is now history as I now have in my paws their very impressive debut offering with a female vocalist, which is basically Symphonic Operatic Metal at it's best. The album offers 12 tracks of which the final 3 are extended mixes of songs already featured on the album. Tarja era Nightwish springs to mind while listening to this cd, with some awesome musicianship all round. I am not going to list the individual tracks here, they are all damn good, all aided with a cool production by Mark Adrian (Elysion, Bare Infinity, Bob Katsionis). This is their Reverbnation site, so go and visit it and purchase the album when it gets released. Recommended....9/10 (Dave)

LoreWeaveR..'IMPERVIAE AUDITIONES'

(Self Release) Reviewed 4th August 2011

The LoreWeaveR musical project started in 2008, when singer Barbara Rubin joins the ensemble already formed with the same name by Francesco Salvadeo (guitars), Giordano Mattiuzzo (bass), Lorenzo Marcenaro (keyboards) and Andrea Mazza (drums), long time bandmates in the past years. The band efforts are focused from the very beginning on composing original tracks, Progressive Metal style, where the various influences and personalities of each member could be put in evidence. The aim being of building both aggressive and evocative sounds and tunes. And this record indeed is a very good lesson in how to make a damn good Progressive Rock/Metal album, and when you have the awesome Barbara Ruin as front lady, well that is a mighty whopping yay!. Cutting straight to the chase, opener 'Bogus' after a lengthy intro with all types of interesting sounds, Barbara's voice when it makes it's much anticipated appearance makes you sit up and take notice..."wow"! A great mid paced chorus on this track too. I am in Progressive heaven already with this number. Most of the tracks on this album have nice lengthy intros that typify the genre so well, and 'Dead Man Walking' is no exception. A moody intro on this one, then with crunching guitars entering the fray, before Barbara joins the fun. Awesome stuff! The standard is maintained through the upbeat 'De Rerum Natura', and I am beginning to feel that my love of both Dream Theatre and Threshold amongst others, is beginning to stand me in good stead while listening to this. 'Follow The Weaver' has a heavy intro with the vocals on this track being given the distorted treatment. Overall, I feel that this is one of the heavier numbers on the album, possibly one of the more accessible too, and with a great piano and guitar led interlude midway, almost offering a quieter song within a heavier song. Lovely and one of my faves!! 'Avoid Feelings' has an awesome synths intro, guitars, keys and synths playing a part throughout this very progressive track. The closing trio of 'Ride The Owl', a lively instrumental, 'That Night', a jolly good straight forward piano led ballad (with awesome guitar solo) and 'Ultraworld', end this very good cd. The musical moments change from the more soffused and romantic parts to extremely heavy riffs and atmospheres, and I am sure this record will appeal to all Metal fans, more especially those with Prog leanings. Keep an eye on this band at their Facebook ....9/10 (Dave)

LUMAS..Sample songs

(Self Release) Reviewed 3rd August 2011

Americans Lumas have been dubbed the metal Kansas, so I was more than intrigued to hear their three sample songs. Lost Child certainly lives up to the billing featuring the violin of Jon Lumas that that gives a folky edge to their early Nightwish esque symphonic metal with proggy diversions. 'Burning Plain' has a touch of musical theatre about it showing off Charming Charlotte Camp's superb pitch perfect light operatic voice, and 'Challenge' is an instrumental allowing Jon, guitarist Dustin Behm, drummer Joe Spencer and bassist Sean McLaughlin the chance to stretch their legs. Production is good demo quality, and I look forward to hearing these songs professionally recorded with plenty of oomph. If you go to their website, you can follow the link to their Bandcamp where you can download these most appetising songs. (Phil)

LAST CALL BACK HOME..'WHEN THE LINE STARTS' EP

(Self Released) Reviewed 20th July 2011

Since their conception, the Italian band Last Call Back Home has evolved from a run-of-the-mill emo band into a fluid, dynamic, and energized rock group that adeptly blends emotive melodies, charged punk rock rhythms, and chunky, engaging bottom end. Basically what we have here on this EP is 5 highly charged tracks in the style of Paramore, that will find you tapping your feet and wanting more when this brief little platter finishes. I understand that the band is working on their debut Album with Antonio Filippelli (Vanilla Sky), the album should be out in September. Based on this, it should be worth looking out for. Meanwhile, if you are looking for a European version of Paramore, you may have found them on this EP and their facebook is here - cool! ...8.25/10 (Dave)

LAPIS LAZULI..'LOSS MADE FOREVER'

(Self Release) Reviewed 17th June 2011

This is the third release from these Swedes and the first since the 'Tears of Sorrow' album, when they was known as Aftermath. This album is more an EP however than a full length album, but as the actress said to the bishop, "size does not matter". And indeed what we have here is 7 tracks of awesome Symphonic Metal that would appeal to fans of Nightwish and Delain to name just two. The superb 'Ascension' kicks things off, an atmospheric instrumental that immediately gains your attention. I can see this being the intro piece to the band coming on stage at a live gig! The opener leads us into the title track, which is equally as breathtaking and giving us the first taste of the new vocalist, Frida Eurenius - great change of pace mid track too. Frida does not come from the operatic school of vocalists, her style having more of a 'pop/rock' quality. Next up 'The Silence', has a Progressive Nightwish sound (if that makes sense), with 'Home' having a Delain feel about it. 'Serpent (Black Sun)' ups the ante slightly, with cool male vocals by keys man Timo Hautamäki. And that is a thing I would like to add, the keyboards on this release are nicely placed in the mix, they add a nice symphonic feel and are the driving force on this record. 'When Dreams Collide' and 'Dragged Into Shade' round this little offering off rather nicely. On the negative side, I sometimes find Frida struggles a little with her vocals on the odd occasion, but let that not be a downer. This is an impressive release with great all round musicanship, and you can find them here. 9/10 (Dave)

LYRIEL..'PARANOID CIRCUS'

(AFM Records) Reviewed 3rd May 2011

This is basically a re-release of Paranoid Circus, that was made available by Femme Metal Records and reviewed by Ravenheart earlier last year. The only difference with this record is the album has been re-released by AFM Records, with two extra tracks. So if you missed this release the first time around, now is your chance to get your hands on a copy, with the benefit of the two aforementioned bonus cuts. There is not a lot more that I can add from what was said by Phil in his previous review of the Femme Metal release. What would be of interest however, are the bonus tracks, a breathtaking epic orchestral version of 'Paranoid Circus', and the Machin8 remix of 'The Regret' which gives an electronic feel to this beautiful track, and it would not sound out of place on mainstream radio. Indeed, 'The Regret' is one of my album faves. This is and remains a good release from these German Folk/Metallers fronted by Jessia Thierjung. For those that missed it first time around, you have been given a second chance, 9/10 (Dave)

LEGEND..'CARDINAL POINTS'

(NoFish) Reviewed 29th April 2011

The roots of this British melodic prog band go back to the 80's, and they released a trio of albums in the 90's. This ambitious project was first planned over 10 years ago but the collapse of their record company Pagan Media in 1999 saw it shelved and gathering dust. That is until a renewed interest in the band and all things prog awakened the group from their deep slumber, led by keys player Steve Paine and new vocalist Kelly Packer whose voice reminds me of a deeper Heather Findlay, although technically she isn't new because she was involved with the band in their very early days but never pursued her participation, the mike being taken by Debbie Chapman. The album is based on the four points of the compass and their relationship with the four elements, water, earth, wind and fire, Boogie Wonderland!, sorry, I had a sudden attack of the funk. 'Carved in Stone' starts suitably Aboriginal and has a vintage 70's' vibe thanks to the extensive use of earthy Hammond, a mix of early Celtic Mostly Autumn, Argent, The Doors and Greenslade. 'Whisper on the Wind' moves us on a decade towards breezy 80's neo-prog with loads of 80's synths and some ripping guitar work by Dave Foster. 'Spark to a Flame' has a musical theatre vibe to it, like it came out of Hair, a fiery lively number with a sing-along refrain and an atmospheric ballad section in the middle. Finally 'Drop in the Ocean' is suitably laid on burbling and bubbling fretless bass and synths as it ebbs and and flows into Marillion waters, before ending with an orchestral flourish. Although I love long songs, I cannot help the nagging feeling that the four tracks have been slightly stretched out to reach the 15 minute mark, my concentration did begin to meander at times, and production is OK but perhaps could do with some wallop at times, or something cutting edge to bring it up-to-date. However, this is quality enjoyable melodic prog so orientate yourself due east to their website here, and it's available from CD Baby, a legendary 8.25/10 (Phil)

MIDNATTSOL..'THE METAMORPHOSIS MELODY'

(Napalm Records) Reviewed 20th April 2011

Midnattsol is one of those bands whose lead singer possibly has more attention put upon her because she is "someone's sister". And no matter what the band or Carmen does, there will always be comparisons made with "that other band". The two previous Midnattsol releases have been okay, but not perhaps hit the spot with me, although 'Nordlys' was taking a step in the right direction. But to be honest, this little cookie is something a little different, and now cements the band's position as one to be reckoned with. The Folk influences are still there, but 'The Metamorphosis Melody' has a slightly more Symphonic element added to their sound, and this sure beefs it up somewhat, with grand sweeping Symphonic arrangements. The album kicks off with an awesome bombastic instrumental intro, followed by the title track and then 'Spellbound', proving that this band can mix it with the best there is to offer. 'The Tide' is another cool number, starting slow before the band brings it to life - totally awesome! You have further symphonic offerings like 'A Poet's Prayer', with a Folk/Progressive undercurrent and one of the stronger tracks on the record, 'Kong Valemons Kamp' flirting with Power Metal Territory, and the rather darker 'Goodbye' that maintain the momentum. The closing trio of 'Forvandlingen', 'Motets Makt' (like the violins and shredding guitar) and 'My Re-Creation' keeps one attention focused, leaving the listener wanting more. Carmen's vocals on this release are strong, production is spot on, and this is a record that lovers of the Symphonic Metal genre will not want to miss out on. I highly recommend it. 9/10 (Dave)

LEAGUE OF LIGHTS..S/T

(Self Release) Reviewed 16th April 2011

League of Lights, created around gorgeous singer Farrah West, is very much a league of leading lights in contemporary music, masterminded by Threshold keyboarder and husband Richard West with Ruud Jolie from the mighty Within Temptation on guitar, Fates Warning's drummer Mark Zonder and bassist Jerry Meehan who has played with such luminaries as Robbie Williams, Chris de Burgh and Brian Ferry. They describe themselves as “a modern melodic rock group with 80's pop sensibilities”, I would interpret that as a mix of Wetton/Downes Icon melodic rock, Guy Chamber's knack for a great tune, a hint of Bangles catchiness and a spot of modern prog here and there resulting in fresh, vibrant and sumptuous symphonic rock framing Farrah's wonderful effortless understated vocals. She sings the songs beautifully and emotively without ever resorting to any wailing or screaming, relying on tone, timbre, melody and clarity rather than most vocalists today who feel the need to over sing, the very opposite of what I call the “X Factor burst a blood-vessel style”. Richard's crystal clear production allows you to hear every nuance of the music, power is applied with restraint and at exactly the right moments, the sound is subtle instead of bombastic, very different to Within Temptations 80's infused 'The Unforgiving' which might appear on paper very similar, especially with Ruud playing on both, the yin to their yang. Lyrically they also remind me of Icon, where John Wetton's lyrics are far more personal than those for Asia, dealing with life, faith, hope and love, “The artists paints the day, A story to be told, And everything you need, Is there for you to hold” (Animé). The songs are draped in lush luxurious string sounds, full of memorable choruses, laden with hooks, decorated by Richards piano and modern keyboards, and imbued with Ruud's crunchy but not metal rhythm guitars and occasional trademark chordal leads. They offer a balanced blend of more up-tempo, up-beat tunes like 'I'm Alive', 'Cover Me Now' and 'Heaven Sent a Star', punctuated at regular intervals by delightful reflective ballads such as 'Last Sunset' and 'You Light My Way'. Given the right push and airplay this superbly written, performed and produced album could be massive in the mainstream, it has that right mix of outstanding musicianship and accessible songs that will appeal to a very broad spectrum of rock music lovers, as well as prog and metal fans thanks to their lineage. If you like top quality sophisticated melodic rock then light your way to their league by clicking here, the album is also available from CD Baby, a most illuminating 9/10 (Phil)

LEAVES' EYES..'MEREDEAD'

(Napalm Records) Reviewed 15th April 2011

With their fourth studio album, the 4-nation formation who come under the name Leaves' Eyes unleash a tidal wave that will leave the music world breathless. More than ever before, folk instrumentation refines the album's varied sound, incorporating more folk and traditional influences from Liv Kristine's native Norwegian history, but also old English and Celtic influences creep into the mix too. The epic tracks, 'Étaín' and 'Sigrlinn' lyrically recount the mysticism of past cultures and are supported by uileann pipes (native to Ireland), which also catapult the listener into this very magical world. Meanwhile the equally epic 'Nystev' and 'Kråkevisa', lead the way to Liv's Norwegian homeland. The latter making use of the Scandinavian nyckelharpa, or keyed fiddle. We have catchy rockers like 'Velvet Heart' and lets not forget the awesome 1984 Mike Oldfield composition, originally sung by Maggie Riley - 'To France'. Mindblowing interpretation! And then later in the album we have the awesome power ballad 'Empty Horizon' - I love it! To summarise this record - Leaves' Eyes has always offered more than just a musical broadening of the horizon. Liv Kristine's use of Old English and Norwegian lyrics narrates fascinating sagas, bringing the listener even closer to a long-forgotten era. Whether a gentle ballad or an opulent opus, the tracks are direct and to the point. With the band's strength and courage, as well as an unorthodox variety, Leaves' Eyes has unequivocally reinvented itself, and could well be treading new ground that other bands will try to tread, but will not succeed! A MUST BUY - 9/10 (Dave)

MY BLACK LIGHT..'HUMAN MAZE'

(Massacre Records) Reviewed 12th April 2011

Out of the Italian darkness My Black Light were formed in 2008 by keyboarder Rudy Coda Bertetto and delectable singer Monica Primo. In the early days they honed their craft by covering songs by all the great gothic and metal bands and this is shown by their own compositions, taking elements of Delain gothic, traditional Within Temptation symphonic melodrama, Nightwish bombast, Lacuna Coil accessibility and some prog technicality to concoct their own familiar but unique style that reminds me at times of fellow Italians Maledia. It is all powered along along by Emanuele Rossi's crunchy guitar, decorated by Rudy's synths and piano, and finished off by Monica's lovely strong versatile semi operatic voice. They pack a lot into each song without ever getting disjointed because there is always a basic song structure, but instead of verse/chorus/verse/chorus they move smoothly from passage to passage to soaring refrain, around which they insert in loads of fascinating variations and interesting diversions making for an engrossing and sometimes surprising listening experience. The excellent clear production by Rudy also helps, moving from quiet and simple to powerful and deep to suit the music. Examples include 'Being Human' into which they slip some mystic east, the superb symphonic passage in 'Noise For Sale', the dramatic piano bit in 'Inner World', the touch of jazzy acoustic guitar in 'A Lie For Eternity' and the lovely classical section in 'Guiding Light'. After 10 terrific tunes of their own which feature most intriguing lyrics, they encore with a version of Matia Bazar's 'Ti Sento', which coincidently was also covered by Maledia. It was self released last year but they have just inked a deal with Massacre Records for its general distribution. An amazing 8.75/10 (Phil)

LIV MOON..'GOLDEN MOON'

(Victor Entertainment/JVC) Reviewed 10th April 2011

The eastern goddess is back with a second slab of almighty Nightwish esque symphonic metal. For those new to her she is Liv Akane, technically the band is called Liv Moon, and she is a top opera singer, like a Japanese Katherine Jenkins, with a Swedish/Polish father, a Korean/Japanese mother and she studied opera/Shakespeare in England. The first thing that hits you is the cover art which is so hot it's melted the CD. Then the first track 'Danse Macabre, Dies Irae' (on Female Voices blog) comes pounding out of the speakers like a raging sumo wrestler, and it becomes very apparent that although she is major commercial property (on the massive JVC corporation no less) her music still has no compromises, although not as heavy and prog as her first Double Moon (reviewed in July 2010), that had some covers of classics, this time she goes for the jugular and does not let go with an awesome collection of Japanese language originals. After battering you around the head with four mighty metal monsters she then attacks the feet with a brace of ridiculously groovy numbers including the mind blowing 'Dance With A Ghost', a brief interlude allows me to get some bandages and a stiff drink, and then we're off again. The tenth track, 'Ballerina Symphony', is the greatest song Freddie Mercury has never written and it signals a shift towards Queen esque rock for the final four totally terrific numbers. Liv has one of the greatest voices in metal, or music come to that, goodness knows what her range is but it must be beyond the highest note on the piano and halfway up the street, and her backing band are also outstanding musicians, with Takayoshi Ohmura shredding like his fingers are on fire. I bet there are a fair few European and American bands who are mightily relieved that this is a Japan only release, a western release in English, which she speaks and sings perfectly, would really put the cat amongst the pigeons. Outside Japan you can get it on import in two versions, a special edition with DVD and a standard CD, and you can find an album web page here. I am over the moon with this album, so a golden 9/10 (Phil).

LATELESS..'BLESS FROM HEAVEN' Single/EP

(Self Release) Reviewed 18th March 2011

The latest offering from this Russian Band fronted by Tatyana Moskalenko, comes by way of an awesome 4 track EP. And the music continues where their rather cool S/T album (reviewed here in Sept 2010) left off. Pumping melodies with touches of electronica, showcased quite well in the opener, the single and title track. Great stuff! 'Grief and Ashes' is pounding Gothic Metal with copius amounts of melody, and latter day Sirenia kind of springs to mind while listening to this. 'Of Your Memory' maintains the momentum, and we are even treated to background male grunts! 'Secret Garden'ends this little offering, and it is no secret that this EP is another good recording from these Russians, to add to their totally awesome S/T album. This is certainly one for the female fronted fan out there that likes their music accessible, melodic and inoffensive. Check the band out at their Myspace, whilst this is highly recommended and worthy of a 9/10 (Dave)

AVRIL LAVIGNE..'GOODBYE LULLABYE'

(RCA/Sony Music) Reviewed 9th March 2011

Much has been said about 26 year old Avril Lavigne's fourth studio album 'Goodbye Lullaby', including of her own admission that she wasn't exactly enthusiastic about the label's choice of lead single, the bratty, bubblegummy 'What The Hell', which to be frank, is possibly one of the worst tracks on the album. That aside, this remains a solid collection of tunes from this Canadian lass, who has always been a firm favourite of mine. There will no doubt be a host of singles being lifted from the record, with 'Wish You Were Here' and 'Smile' being faves of mine and future single contenders surely. Avril may have taken the 'if it ain't broke why fix it' approach to this album, but basically this is another good pop/rock record from the lass, who writes (or co writes) all her own material and even co produced the record too. So has it been worth the 4 year wait? That will be discussed no doubt, but I should say so! 8/10 (Dave)

LUNAR PATH..'BROKEN WORLD' EP

(Self Release) Reviewed 22nd February 2011

Lunar Path is a Gothic Metal Band from Finland fronted by the lovely Janica. This EP was released towards the back end of 2009, but the band have a 15 track album recorded, and are just awaiting a label to release it. By and large, 'Broken World' is four tracks of Melodic Gothic Metal that kicks off with the catchy 'Broken World'. Second track in 'Paper Dove' follows and is equally as catchy as the opener, and I am beginning to like this. Janica has this kinda angelic poppy vocal style, so no operatics here. Next up 'Now I Know' is the customary power ballad, while the awesome 'Too Late To Say Goodbye' ends this mini offering. Although some will say the genre is crowded with this style of music, I really do not care when it is this good. Check out their website Here where the band has their own mp3 player, and find out for yourselves, 8.5/10 (Dave)

ARA LIN..'AURA'

(Self Release) Reviewed 21st February 2011

The Russians certainly know how to put on a show, first we had Kaira with her sex metal, and now Kara without an I and her equally hot metal. This band were started by stunning vocalist Kara Lin and guitarist Adam Lee as a studio project under the name 3odiac, but then they started putting on amazing theatrical stage shows featuring a troupe of dancers, and you can experience an example yourself on the Female Voices blog. Makes four sweaty blokes in a pub look a bit tame. Musically, here we have Lacuna Coil/Lahannya esque industrial gothic metal, slightly slowed to add drama, with an infusion of the mystic east heightened by Kara's exotic voice and her dramatic Russian language (English translations used for simplicity). 14 prime cuts of moist meaty metal that stomps, stamps, struts, grinds, grooves and gyrates it's way through your speakers. Amongst the rampage of catchy songs like 'Witch', 'I Do Not Believe', 'When the Sky Will Collapse', and 'Father No.6' (what happened to the other 5?) are the gorgeous dreamy 'At The Heart Of' and the awesome soaring 'Take Off'. Over 50 minutes of mystical musical mayhem. I'm off to catch the next plane to one of her shows, an exotic 8.5/10 (Phil).

LOVELORN..'AN INTENSE FEELING OF AFFECTION' EP

(Self Release) Reviewed 14th February 2011

Lovelorn formed after Ladyhell (Kristell Lowagie) and Corpus Christi (B. Daubresse) met for the Road To Consciousness project in 2009 (their album reviewed elsewhere on this website). Ladyhell is the vocalist here and also active member of Eve's Apple (created by my friend Lisa Middelhauve, ex Xandria). She used to sing for Skeptical Minds, then for Valkyre. Corpus Christi used to lead the band Free Launch. He's the creator of the aforementioned The Road To Consciousness project, a metal rock opera. There is certainly a lot of hype surrounding Lovelorn, and so there should be. The music on offer can rightly be described as an awesome mix of alternative rock/metal with a fair dose of electro coupled with stacks of melody and a little trip hop. Opener the catchy 'Save Me', charges out of the speakers in a wall of sound, that will make you sit up and take notice, while 'Sagarmatha' and 'Something Wrong' shouts radio airplay, massive crossover appeal! 'Cold' is a catchy tune and a fave of mine while 'Little Princess Euphoria' ends this little opus. To summarise, this band is surely going places within the female fronted genre with their brand of catchy and inoffensive style of music. This is awesome so I cannot wait to hear more. Check the band out at their reverbnation here. This is good! 9/10 (Dave)

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