Ravenheart Music: Album Reviews

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DIABULUS IN MUSICA..'THE WANDERER'

(Napalm Records) Reviewed 15th February 2012

With their latest 12 track album, the Spanish quintet proves that impressive gothic metal need not hail from Scandinavia. The musicians revolving around vocalist Zuberoa Aznárez, have refined the trademark sound first heard on their debut album 'Secrets', and brought their latest work to a whole new level. Diabulus in Musica unite heavy riffs with sensual melodies and appealing refrains. The backbone of the band is its powerful rhythm section, and most importantly a drummer who knows how to properly embellish songs with the finest of details. The guitars and keyboards build upon this sturdy foundation to reveal the band's strength: uniting musical prowess with irrefutable appeal. This desirable concoction becomes most apparent on tracks such as 'Blazing a Trail', 'Hidden Reality', and 'Sentenced to Life'. 'Ex Nihilo' is one of the more catchy numbers that springs to mind, while the album offers occasional harsh vocals from Adrian M. Vallejo and Gorka Elso, and some great choral backing that reminds me to an extent of Sirenia. Indeed the album at times reminds me of latter day Sirenia with catchy and melodic numbers coming to the fore. Even the heavy 'Shadow of the Throne' that fully utilises the extreme vocal formula, comes across really well with it's choral backing, while 'Sentenced To Life' is a particulary good and rather atmospheric ballad. This latest offering from this band is not a mere collection of songs, but rather a passionate and sweeping gothic metal album that will mesmerize the listener from beginning to end. On this showing, these Spaniards are proving to the world that they are wanting to be up there with the top guns. Whether they can do it with this release remains to be seen, but I am convinced that great things will beckon for them if not now, certainly in the future, especially with the Napalm stable now backing them. Highly recommended! 9/10 (Dave)

CRYPTIC AGE..'HOMELAND' EP

(Self Release) Reviewed 17th January 2012

Cryptic Age is a band from York here in the UK and class themselves as a Folk Metal Band with dynamic female vocals, heavy guitars and traditional Celtic tunes. And if you add a progressive twist into the mix, then we have an interesting release here. This in-fact is the second Folk Metal album I have reviewed today, and like the offering from Russian band Grai, this is good. The 'Homeland' EP is heavier than the album from Russia however, Cryptic Age tending to blend the Folk elements with a more powerful style of metal, with the vocals from Jenny Green leaning more towards soprano. Some good musicianship all round here, and I can imagine Alex Brandsen really hammering his drum kit in a live scenario (mind you, he hammers it anyway). This cd is good with the track 'No Folkin' Way' (great title) an in yer face Folk Metal instrumental. Their Facebook is here, while this is a release that this UK band should be rather proud of, and it is well worth checking out...8.25/10 (Dave)

CARDAMON..'SUN AS NEVER'

(Digital Release Only) Reviewed 3rd January 2012

Cardamon is yet another band to come out of Holland, which to me is now becoming the mecca of all things relating to female fronted rock and metal. But they are not another Within Temptation, tending to follow a similar path that is being trodden by fellow countrymen Only Fate Remains and to an extent Autumn, Kingfisher Sky and The Gathering. 'Sun As Never' is the band's second offering, and is more guitar orientated than their debut 'The Primrose Path'. What I like about this type of music however, is although it has a certain heaviness, you can find yourself playing the cd when you have friends visiting, and it can play in the background and remain inoffensive. Some good stuff here, 'Spanning The Distance' has a certain crunch as has 'All You Were Meant To Be'. Floortje Donia's vocals are crystal clear, whilst Kevin Storm creates a storm (excuse the pun) on guitar together with Koen Romeijn, but they sure do give this album the aforementioned crunch in the guitar dept, coupled of course with some beautiful melodies I hasten to add - just check out 'Walk On By' as one example. This so happens to be a very good album, and is worth checking out, and furthermore, it so happens to be available as a FREE download from HERE. Get it! 9/10 (Dave)

DIRTY HABIT..'MENTAL EXECUTION'

(Dirty Records) Reviewed 21st December 2011

Habitants of Manchester, dynamic duo sexy Scarlette Sin, vocals and bass, and guitarist Daniel Mucs deal in no holds barred, full throttle, kick ass, nice 'n' sleazy heavy power rock, sort of Suzie Quatro meets Motorhead, but with a funky groovy undercurrent. This baby doesn't hang around, opener 'Hell' hits you straight between the eyes and they don't let up during the course of the next 10 driving rockers, this ain't for shrinking violets. Choice cuts like 'Alcohol', 'Car Wreck', 'Gold Digger' and on 'Dirty Little Habits' Scarlette sings, “I do it good, I do it well, but I'm not ashamed of what I do …. I've got a dirty little habit”, I don't know what dirty habits Scarlette has, but I'd sure like to find out. The deep down and dirty production suits them mighty fine, although it''s a little dense at times. It's loaded with what they eloquently describe as Daniel's prodigiac guitaristry, pounding drums that turn out to be programmed, you'd be hard pushed to tell, Scarlette's rumbling bass, and her attitude filled vocals, I bet they really rip the place up live with their new drummer Toby. Perhaps a slower or acoustic number would have been good in the middle, just to give the old ears a rest while you went to the bar for a shot of Bourbon, before heading back to the fray. Curiously, when they have such a great image, the cover artwork looks like schoolboy doodle, makes it look like a wimpy indie record, not a mighty slab of rock. If no frills dirty rock 'n' roll is your tipple of choice, then mosey on down to their Facebook, but beware, this may be habit forming, a nice 'n' sleazy 8/10 (Phil)

CRIMSON BLUE..'INNOCENCE'

(Destroy The Humanity) Reviewed 20th December 2011

From reading their own description of what they call 'Nu Art Metal' you may expect something rather weird from this Russian quintet, but although it is impossible to pigeon-hole their sound, not only does it make make perfect sense, it's also hugely commercial. If I had a stab, I'd put VersaEmerge, Evanescence, Reasoning, Touchstone, Porcupine Tree, Muse, Lacuna Coil and To Mera into a blender to create progressive gothic nu alt-metal. To put it simply it rocks like a hurricane, it seriously grooves, it's as catchy as hell, it's got more hooks than Velcro, and it sounds incredible. Out front is keytar wielding, stunning lead singer Dani Hellsrom with her highly versatile voice that encompasses the breathy to the laid back to the passionate to the full throttle, joined by guitarists Stanislav and Hans whose guitar work ranges from the delicate to the dynamite, Latex and his extraordinary elastic boinging bass work, and Andrew and his driving drumming. Some of the sonics on this album will blow your mind, 'Forest' for example has a section that totally felled me. You get eleven multifaceted songs, every one an absolute killer, from the awesome opener 'Iceland', to the more alt-rock 'Clouds', to the folk tinged 'Ave', to the epic 'H.U. Lab Experiment 1', to the hint of Porcupine Tree in 'Nagual', to the superb closing title track 'Innocence', all with top professional production sound by Anton Kondakov at Destroy the Humanity Studios. In Dani they have an absolute star, backed by a premier league band, this is a must for anyone who loves alternative, prog or gothic metal, their Facebook is here, a mind-blowing 9/10 (Phil)

CURVATURE..'SUFFER IN SILENCE' EP

(Self Release) Reviewed 14th December 2011

Curvature fronted by Lisa Swatton hail from Aylesbury here in the UK, and I have to say is a typical example of hard working musicians, that are striving to get themselves noticed. Matt Jones who runs the show, and is also a good friend of mine, has suffered a few setbacks in his time, his previous band VRILLION disappeared from the radar some months go, but like a boomerang, he is back, this time with this his new venture. This EP that they have sent me offers up four tracks (inc one live number) of Electro infused Gothic Metal, including a cover of Lady Gaga's 'BAD ROMANCE' that I can say from personal experience goes down a storm live. I wouldn't say there are any tracks here that immediately hit you straight between the eyes (this is a grower), but what is here is consistent, and we should certainly be watching this band in the future. Check them out here and support unsigned music....8/10 (Dave)

DELIA..'FIRE' EP

(Self Release) Reviewed 13th December 2011

Ukrainian band Delia has been in existence since September 2005. Fronted by Anastasia Sverkunova, their style of music is melodic and bombastic with Anastasia's vocals offering a rich full sound, that fits the music on offer here absolutely perfectly. Three tracks on this little EP that remind me at times musically of Within Temptation. But to be honest, this is a Gothic Metal fan's wet dream...totally awe-inspiring from start to finish. It is available as a FREE download, so check out their facebook here for more info. Come on, you know you should, so what are you waiting for? ...9/10 (Dave)

CIRCUS OF LAMIA..'WELCOME MADNESS' EP

(Self Released) Reviewed 13th December 2011

With Christmas fast approaching, I expected to see things quietening down, but far from it as review requests are coming in thick and fast. This latest offering is from Swedish Band Circus of Lamia. Recorded at the Helter Skelter Studio, Stockholm in the Summer, this EP offers up three kick ass metal songs with killer riffs and catchy tunes, featuring Jade on clean vocals and Matt offering up a gruff alternative. What we have here is morbid, gothic-influenced metal - fight the endless hordes of dead, float in nightmarish dreamscapes and embrace the madness! Yep, that sums it up really. Worth checking out if you are into the Swedish Metal Scene, the cd can be downloaded from www.cdbaby.com. I also like their image and I am very much into bands that take the time to give themselves an image. Great image and great music. Well done guys and gal...8/10 (Dave)

DAKESIS..'TRIAL BY FIRE'

(Self Released) Reviewed 22nd November 2011

Birmingham in the UK is the home of British Heavy Metal. Well, just mention Black Sabbath and I will rest my case. And there are many other bands asscociated with this fine city too. However, we can now add one more band to that list and it is Dakesis. They mix Progressive and Power Metal to a fine art, using both male (Wayne Dorman) and female lead vocals (Keys Gal Gemma Lawler) and to be perfectly frank, this recording is pretty damn awesome! The album artwork is good too, but we are here to review the music, are we not? :) TRIAL BY FIRE is an epic sounding recording, with fine use of guitar solos and keys throughout, and I am sure this band could make the big time on mainland Europe (if nowhere else!) with this release. Opener 'Shield of Achilles 1' kicks things off, a great instrumental intro that leads us into the huge sounding and rather majestic title track, giving a very good indication as to the direction the band is taking on this record. Further epic power metal numbers follow like 'Liar', the awesome keyboard infused and one of my faves 'After The Storm', the cool 'Into The Light' and the commercial sounding 'Valhalla'. We also have a ballad 'Broken', and like other numbers here, feature both Gemma's and Wayne's vocals, that add substance to this slow and brooding number - great guitar solo too. Mind you, solos are in abundance, and Gemma sure does hammer her keyboard! I have seen this band live some months ago in a small venue in Birmingham, but to be perfectly frank, with this release, they are now stadium venue fodder - awesome! Iron Maiden, move aside, Dakesis have arrived. The quality of this release makes it hard for me to believe this is their debut album, but it is and they have nailed it first time. Check their website out here and I must say that I expected this record to be good, but not this good :) I highly recommend this! 9/10 (Dave)

COLLIDE..'COUNTING TO ZERO'

(Noiseplus) Reviewed 4th November 2011

This duo comprising vocalist kaRIN and musician Static hail from the the City of Angels. In 1992 they began their exploration into electronic rock, electronic body music, Eastern mysticism and synth pop, and this is their fifth studio album, following on from 2008's 'Two Headed Monster' (discounting the 2009 covers album 'These Eyes Before'). Their music is seductive, sensuous, slinking, stalking and seriously groovy, like a slow rhythmic rumba of love with a sultry femme fatal. Lying somewhere between Goldfrapp and Muse at their most moody, it is packed with amazing sounds, hip grinding guitars, and swaying beats that make you want to get down and dirty and flirty. Captivating kaRin's delicious delectable whisper blows sexily into your ear, breaking what's left of you resistance, you have to surrender to the orgasmic ecstasy. This is the perfect soundtrack for putting your parter into the mood for love, or simply want to chill out and unwind, as kaRIN breaths softly “concentrate, gather your defences, slow down” ('Slow Down'). It appropriately starts with 'Bending and Floating' with sounds like the music to a James Bond love scene. After that you are taken on a slow burning, spell binding journey into the sublime, particular highlights being the 'Lucky 13' waltz, the catchy string laced title track 'Counting to Zero' and it climaxes with the suitably titled eastern infused 'Letting Go'. The only song that breaks the mood is the more urgent 'Further From Anything', which erupts out of the speakers after the atmospheric 'Tears Like Rain', catching you unawares. Everything is self financed and released on their own label Noiseplus, and you can sashay your way to www.collide.net/news/ for more low down. A mesmeric record that is perfect for late night relaxation and recreation, dim the lights and feel the rapture, a seductive 8.75/10 (Phil)

KELLY CLARKSON..'STRONGER' Deluxe Edition

(Sony Music) Reviewed 31st October 2011

I have always had a soft spot for a certain Ms Kelly Clarkson. She is a lass that just remains well out of the limelight and just concentrates on the job at hand. Which is more than can be said about a certain Ms Lohan. Not picking on Lindsay by the way, she just sprang to mind! Back to Kelly, and I have just discovered that the young lass is nearly 30! Anyway, Kelly offers up here a typical selection of catchy pop-rock fare coupled with the occasional ballad, but to be frank if it ain't broken, why the hell fix it?! Her voice is so powerful and this is highlighted on several tracks, more so the power ballad 'Honestly', which is one of the stand out numbers on this album. I must be honest and say that I am not sure about the choice of lead single, as to me 'Mr Know It All' is not one of the standout tracks. This has nonetheless picked up a lot of airplay on mainstream radio, it is not a bad track, it is just that there are a lot better on offer here. This is a very good album (the deluxe version carries 17 tracks) that offers up an impressive mix of up tempo Pop, a good dosage of catchy Rock and the occasional ballad. Stand out tracks a plenty but one of the bonus tracks, 'Don't You Wanna Stay', a duet with Jason Aldean makes purchasing the deluxe version well worth while. The lovely Ms Clarkson keeps churning out some good music and long may it continue. Lovely stuff!..8.75/10 (Dave)

CORONATUS..'TERRA INCOGNITA'

(Massacre Records) Reviewed 20th October 2011

I was just a little confused when I received the files for this album, as they downloaded in a different order to how they are going to appear on the cd when it gets released. Therefore, I have programmed the tracks before listening, to how they should appear when the album does get released (18th November). I have twelve tracks here although there will be limited edition digipack with 14 tracks (2 additional live numbers). This double female fronted band offers up a good old dose of rather catchy Gothic Metal on this, sung in German and English. Rock-brat Mareike Makosch and soprano lady Ada Flechtner share the job being the new front-ladies of the coronauts since early 2011. However, I do believe that Ada has been in the band before, although she was replaced for the previous album ('Fabula Magna') by Lisa Lasch. With this their new album, a new phase of the band's history has been started and it takes the willing listener along a unique musical journey! On this their 4th longplayer, 12 awesome new songs are exibited, symphonic, epic and sensitive. We have complex compositions with choirs, folk elements and orchestral arrangements alternating with catchy melodies, straight forward guitar riffing and a lot of drumming! 2nd track 'Fernes Land' is one of the catchier and more commercial numbers on offer, while 'Das zweite Gesicht' is one of the folkier numbers, although still exibiting some strong guitar riffs and powerful drumming. This is good and I would say one of their better efforts. A recommended release...8.5/10 (Dave)

DORIAN OPERA..'CRUSADE 1212'

(Soleminity Music) Reviewed 17th October 2011

This German progressive rock/metal band was founded by four full time musicians in 2007, releasing 'No Secrets' in 2008. Their second album is based on the Children's Crusade of 1212 in which thousands of children departed for Jerusalem, only for the mission to end in disaster. It is shrouded in myth and legend, there was a French 14 yr old shepherd called Stephen who, with a following of 30,000 people, went to St. Denis (just north of Paris) with a letter from Jesus for King Philip II (Augustus) in 1212, traditionally they then went on Crusade, but there is no contemporary record of them going. At about the same time there was also a German Crusade led by another young shepherd called Nicholas with about 7,000 people, but the fleet broke up and some were probably captured by pirates and sold into slavery. These two events have over the centuries become embroidered, entwined and embellished, so it is difficult to know what is fact and what is fiction. The tragic tale in this album is about the German knight Jan, sung by Sven the Axe, who rescues and falls in love with Constantine, performed by special guest Alexandra Goess. Constantine is enthralled by Stephen's sermon at St Denis and decides to follow his Crusade to Jerusalem, whereas Jan is sceptical about Stephen's visions and chooses to join Nicholas's Crusade as he believes it has a better chance of succeeding. What will befall them and will they meet again? Stylistically they recall Roswell Six, an epic historical tale (but based on real events) set against the backdrop of melodic progressive metal, with influences from symphonic/neo prog, melodic heavy rock and power metal, depending on the mood of the story. Sven and Alexandra both have powerful rock voices, and they share vocal duties almost equally, either solo or in partnership where their voices are often counterpointed to retain their individuality. Musicianship is outstanding with plenty of space for Oliver Weislogel's virtuoso fretwork and Andrew Roussak's flying synths, he does remind me at times of Clive Nolan, but they never over indulge, there's plenty of variety, and they always return to the song and story. A good example is 'Follow Your Heart' which is about the pivotal moment when the lovers decide to go their separate ways, it starts with a superb instrumental introduction, then turns into Alexandra's ballad, Sven takes over as it powers up, the lads then stretch their legs, before it returns to the refrain sung by Sven and Alexandra together. 'Sermon In Saint-Denis', 'Carthago', 'So Long' and 'Hope' are carefully crafted and constructed melodic prog metal songs. 'Soldier of Fortune' and 'Harbour Of Marseilles', belted out by Sven and Alexandra respectively, have appropriate bursts of epic power metal, and Alexandra stars in the power ballad 'Two Hearts'. Production by Oliver is top notch - clear, powerful but not too heavy. This is a highly professional album with an absorbing story, ideally suited for melodic prog partakers of both the metal and rock persuasion, so set sail to their promised land here, an engrossing 9/10 (Phil)

DIAMANTE..'IMPOSSIBLE'

(Self released Single) Reviewed 14th October 2011

A fresh innocent number we have here from this 15 year old lass from Hollywood, who delivers a sound that is being described as a cross between a modern day Pat Benetar and Alanis Morissette, perhaps I think with a little touch of Avril Lavigne thrown into the mix. 'Impossible' is a catchy 3+ minute song that will bang around in your head well after the song has finished. This is edgy Pop/Rock and I like it from a lass that is currently taking LA by storm. I can't really score one track, but I pride myself here at Ravenheart Music by enjoying a broad range of music, and this is cool! (Dave)

DIVINE ASCENSION..'AS THE TRUTH APPEARS'

(Nightmare Records) Reviewed 8th October 2011

Thundering in from the land down under comes this new Antipodean metal outfit founded four years ago in Melbourne. They take Avantasia melodic metal and fuse in elements of Nightwish powerful symphonic, Delain gothic and Kamelot progressive, then forge them in the red hot crucible of Hermin Hamidovic's premier league production job that's mighty enough to disintegrate granite, and finally burnish with the irresistible Jennifer Borg's powerhouse Ian Parry/Michael Kiske type voice, to produce highly combustible and commercial sonic missiles that hit you straight between the eyes. And there's no men in schoolboy shorts to be seen anywhere. If you have any questions about their intentions then the opening 'Answers' (video on Female Voices blog) will settle any doubts – massive, melodic, catchy, rocking, and featuring a guest appearance by Silvio Massaro (Vanishing Point), this is more like divine retribution than ascension. Once they have you by the short and curlies they don't let go as they unleash a volley of monster tracks. You are assaulted by towering triumphs like the epic 'Vision Divine', the Arabian flavoured 'Guided by Osiris', and the explosive 'Another Battlefield'. They are packed with Karl Szulik and Robert Inglis's rip-snorting guitar work, Simon Mahoney and Luke Wenczel's thunder from down under rhythm section and David Van Pelt's keyboard flourishes, on 'One Last Caress' he puts in a trill that frightened the life out of me! The only failing is the lack of a ballad in the middle to give you a rest from the onslaught, the only song that comes close is the penultimate track 'Civilisation', and even that is titanic. Divine Ascension with their mighty mainstream melodic metal have all the weapons to take on the European and American metal markets, and thanks to their musical muscle and outstanding singer they can target both male and female fronted factions in equal measure, their Facebook is here, a divinely powerful 9/10 (Phil)

CLAIRVOYANCE..'BLACK SUN' (Demos)

(Equalize) Reviewed 26th Sept 2011

The mixture of two friends with different styles and a unique voice resulted in an authentic alternative work. Clairvoyance as a result was formed in late 2009 by Alex Romanov and João Cruz. From Brazil, 'Immature Mind' was the band's first single to be produced in early 2010. 'Fallen Angel' and 'Black Sun' were recorded immediately after the entry of Jessica Populim in April 2010. Assuming the vocals on the songs, she added a special, delicate and pure touch to the band. The above metioned songs are featured amongst the six demo tracks that I am reviewing here. The music offers up an Alternative Rock vibe, and with the dual male/female vocals, reminds me a little of fellow Brazilians Ravenland. There are six tracks here that include two covers...'Enjoy The Silence' and 'Wake Me Up When September Ends'. This band has potential and I understand there is a full album due soon. Check their YouTube. 8/10 (Dave)

CORNERSTONE..'SOMEWHERE IN AMERICA'

(Atom Records) Reviewed 25th September 2011

Austria's Cornerstone, well what can I say? A band that I have been following for some while, and a band that recently performed at the very first Ravenheart Music Festival in July 2011. And a band that would appeal to Fleetwood Mac and Journey fans amongst many others of that genre of music. They even add subtle hints of new country as well, listen to 'Follow You, Follow Me' as an example. Cornerstone has seen changes in the vocalist department in the past, but now seem to have settled with the awesome Patricia Hillinger at the helm. This album offers 10 tracks of easy listening rock music in a style that would make many a Melodic Rock Fan very happy indeed. Chocked full of catchy numbers, with hit single potential to boot, this album has got to be a must buy for fans of the genre, and the type of album zines like Fireworks here in the UK would just love to get their grubby little paws on. The fave track for me however, has to be the lighter waving ballad 'Right Or Wrong', but there again, I am a sucker for the odd ballad, but there is no harm in that, surely :) This is a very good record and our friends in the USA in particular will just love it (and interestingly it is on an American label). Certainly a worthy 9/10 (Dave)

DISDAINED..'KILL MY ONLY ENEMY'

(Disdained Entertainment/Rambo Music) Reviewed 5th September 2011

Founded in 2005, this Swedish band have gradually built up their following appearing on many prestigious stages, including winning the 2010 Stockholm finals of the World's largest new music contest, the Emergenza Festival. This début album reminds me of that all time masterpiece of symphonic gothic metal, Angtoria's 'God Has A Plan for Us All', the 2006 album that Sarah Jezebel Deva (using her rock voice) did with the Rehn brothers, who are also from Sweden, we have been waiting a long time for a follow up but only had two disappointing Sarah solo albums, well, Disdained have taken her crown, the Queen is dead, love live the Queen, metaphorically speaking of course. It has that unique fusion of deep thundering riffage, dramatic keyboard/orchestral flourishes that owe something to horror films, and those gorgeous glorious vocal melodies courtesy of strikingly beautiful flame haired Therese Thomsson's magnificent rich voice, a sort of cross between The Deva (in rock mode, not Cradle of Filth/Therion operatic) and Ian Perry. They also throw some melodic and prog metal into mix, liberally seasoned with extra searing power and there is a real sense of urgency as they rampage through their cataclysmic catalogue of almighty anthems. Production by Peter Norlinder and Dan Norman at Studio Precision is outstanding, Johan Persson 's drums sound like Thor's hammer, you can hear Therese's every breath, guitarists Niklas Dahlin and Johan Hartman envelop your ears in a sonic maelstrom, while Tomas Stolt's bass rumbles through your derrière. Even the very occasional growls are brilliantly done, accentuating the drama and atmosphere. By the way, Peter and Dan also play in a band called Slaughter of the Bluegrass that does bluegrass versions of death metal songs, the mind boggles, what next, Alison Krauss making an album with Dani Filth? Returning to the fray, the piano adorned 'Longing For Serenity' has a touch of Sirenia, the Hammond laced title track 'Kill My Only Enemy' is almost prog metal before it launches into one of their signature towering refrains, 'Numb' and 'Two Pages' are theatrical and symphonic, 'I Live For Your Pain' belts along menacingly, and 'Trust' is a colossal ballad. The whole album is well put together with a suitably grand intro, 'Prelude to a Dream', and a poignant piano coda, fittingly called 'The End'. Any self respecting gothic metal fan would be unwise to disdain this opus, this is a band with a premier league singer and sound, their web portal is here, an esteemed 9/10 (Phil)

CWN ANNWN..'THE ALPHA AND THE OMEGA'

(Self Released) Reviewed 22nd August 2011

Having shared the stage with some of the industry's mightiest, including Trivium, All That Remains, Iced Earth, Fair to Midland and Chimaira among others, Cwn Annwn (Pronounced "coon-uh-NOON" - think Raccoon at noon) fronted by the powerful vocals of Julie Schultz, is primed and ready to take their place in the heavy metal elite. But before we go any further, the name? Well, without going into the sordid detail, Cwn Annwn is associated with Welsh Mythology and Folklore. As for their debut full length offering - well it is a concept album from these Minnesota Metal Merchants, telling the story of how the fossilized remnants of a destroyed society reincarnates the human spirit in a future society, awakening and simultaneously corrupting it. All in all, we have nine songs, which do remind me musically of Iron Maiden and Metallica amongst others, but at the same time the band does carve out a sound of it's own, despite the above mentioned influences. The tracks on offer are consistent, maintaining an uptempo feel throughout. I must also compliment the twin guitar attack of Neil James and Harry Rostovtsev, these two can shred it. The final track 'Nova' sees a twin vocal assult featuring both Julie and Neil. To summarise, this is an all out Metal Assault, by an American Band with a Welsh Name. Love it!! Check them out at their Facebook. 8.5/10 (Dave)

CRYSALYS..'THE AWAKENING OF GAIA'

(Wormholedeath-Dreamcell 11/Aural Music) Reviewed 18th August 2011

Surrounded by a magnificent modern metal scenery, a theatrical soprano goes back to the roots of Italian Opera Lirica, and leads us through this wonderful Post-Opera masterpiece. The Awakening has begun. Well it sure did when this five piece got picked up by Wormholedeath-Dreamcell 11/Aural Music, and as a consequence, the band are about to unleash upon the public this 10 track Metal Symphonic/Operatic epic. The emphasis here is on the vocals of Chiara Malvestiti. Her vocals are characterised by a great flexibility in high-lying velocity passages, yet with great sustaining power comparable to that of a full spinto or dramatic soprano, and by an expressive timbre combined (in metal music) with a sweet and brilliant modern voice. Every track on here displays musicianship of the highest calibre, with obvious comparisons being made to Tarja era Nightwish. I would go as far as to say that Chiara betters Tarja within this style of music. Opener, 'The Awakening of Gaia' (with lyrics based on Earth, Air, Water and Fire) gives us a pretty good indication as to what to expect, and gives us in an instant the kind of vocals Chiara has to offer the discerning listener. And when not in operatic mode, which is very rare on this record, she kinda reminds me a little of Floor Jansen. The whole package here is quite amazing, and I would suggest visiting the band's Facebook page. This comes highly recommended when it gets released on 23rd Sept..9/10 (Dave)

CALL ME ALICE..'HOW MOTIVATION KILLED THE MAN'

(Arkhive Records) Reviewed 11th August 2011

With a line-up that reads Crosby, abstract vocal communication, Epiphany, low frequency encryption, Aughustine, melodic wire induction, Jude, sonic simulation and The THRaWN, percussive instigation, you can immediately tell that this American formation are something new, something different, something theatrical, something uniquely imaginative. Their music haunts the gothic hinterland between metal, rock and pop, the missing link between gothic era Damned, The Birthday Massacre, and Evanescence. They build dense rich layers of Aughustines diverse dynamic guitar tones and Judes synthesizer textures while and Epithany and The THRaWN's lay down a solid groove, creating a swirling kaleidoscope of sound that builds and subsides, surmounted by Crosby's Gwen Stafani/Madge type pop voice but with extra attitude and an ear for a killer tune and a moving lyric. They open with a song that at first glance might seem surprising, the 1969 one hit wonder 'In The Year 2525' by Zager and Evans, but this is an extraordinarily futuristic concoction, years ahead of it's time, it even foretells things like genetic selection, so it still sounds fresh and relevant today, and it does a mighty fine job of introducing the bands dramatic musical vision. The anthemic 'Crippled Mind (Anti-Cosby)' is a natural follow up which features Ray Suen on violin who you may have seen standing behind Brandon Flowers and the boys in The Killers providing backing keys and guitars. Songs like 'Letting Go', 'What You See' and 'Gone Away' rise from restful reflection to rousing rocking refrains, while 'Still' and the terrific closer 'All Those Regrets' really drive along with great aplomb. Epiphany makes her vocal début on the spiky punky 'You Liar', and you also get a suped up radio version as a bonus track. The strutting stomping 'Come Home' features a striking staccato hook, and a real treat is the Tim Burton esque orchestral 'Just Like Me' which also features Ray's gypsy violin. The album is the culmination of 10 years work, lovingly and meticulously produced by Khrys Maxwell and mixed by John X. This is an album that bridges the commercial and artistic, catchy enough for the radio and the general listener, but artistic enough for the most discerning of gothic rock/metal connoisseurs. Available from CD baby and other fine purveyors, their website is here, a highly motivational 9/10 (Phil)

DARK WHISPER..'FROM NOW ON'

(Self Release) Reviewed 6th August 2011

Apart from Evanhell, the Equinoxem album a short while ago and this brand new release from Dark Whisper, I cannot remember Ravenheart reviewing a band from Argentina, which is very surprising as it is a massive country that loves its metal as anyone who saw the scenes of Iron Maiden touring there will testify, and we have covered loads from their South American neighbours. The only exceptions being Beto Vazquez's Infinity which is more like a project and Ivana d'Arc who now lives in America. So Dark Whisper are blazing a pioneering trail for Argentinian female fronted metal, and doing it doubly as they are fronted be a duo of delectable damsels, Daiana Zagaglia and Patricia Pascual. Their reputation for quality music makes them the go to band for the touring giants, supporting the likes of Tarja, Nightwish, Paradise Lost, Stratovarius, Sonata Arctica and Rhapsody, making them more than ready to unleash this début album. They open with two songs, the introductory instrumental 'March for Glory' and 'Never The Same Again', that lay down their intent, colossal Rhapsody/Nightwish symphonic power metal with Gabriel Di Fini's wailing Moogs, Fernando Pizarro's thundering riffage, and the two semi-operatic/operatic voices weaving around each other, counterpointing and harmonising. The next song 'Hades' is like a stately march into hell with scary exerts from the horror movie Silent Hill, “You're here. You did it. Your reward...is the truth”, gulp. In total contrast 'Treasures of the Waters' starts as a delicate acoustic guitar piece before building into an epic, showcasing the two voices that blend so beautifully. 'The Visionary One' and 'Oath of Victory' pack plenty of power, then 'Disappointment' is far from disappointing, rather a moody melodic number with a memorable anthemic melody. Final track 'Opened Doors' starts off swinging and bouncing and then veers off all over the place allowing the band to let their hair down, ending the album in fine style. Unlike so many other bands they are not afraid to deviate from the norm while keeping their signature sound, so this is a professionally produced and performed album that will not only suit Nightwish/ Rhapsody fans perfectly, but it also has other facets that will appeal to lovers of gothic/prog/melodic metal as well. The twin voices also give it a unique selling proposition that sets it apart, the simple option would have been to just sing in unison, but there has obviously been enormous time and effort put into the vocal arrangements. From now on Argentina has a band that can take on the world, their Facebook is here, a gloriously marching 8.75/10 (Phil)

CRIMSON RIVERS..'SORROWFUL HELL'

(Self Release) Reviewed 27th July 2011

Crimson Rivers is a fairly new Greek Symphonic/Dark metal band, who were conceived at the end of March 2009 by Marios (Bass Guitar/Vocals), Thanos (Keyboards) and Fotis (Guitars). In September 2010, Stella (Vocals) and Makis (Drums) were welcomed aboard and at the end of November 2010 they released their demo titled 'In Life’s Silence'. At the end of December 2010, they entered the studio for the recordings of their first album which we now review here. So what about it then? Symphonic and dark sums it up quite nicely actually, with operatic vocals from Stella and occasional but not overdone growls from Marios. There are occasional subtle progressive tendancies, these shine though mainly on opener 'Cursed Riddle', that also offers great keys interplay from Thanos. Indeed, the keys do play an integral part of the band's sound throughout the album adding an occasional haunting atmosphere, together with some great guitar work from Fotis. The vocals of Stella tend to veer towards the operatic, although I do feel she struggles a little at times, more so on the track 'Moonlight Whispers' - this is not a criticism by the way, just an observation. Stella is only a tender 19 years young, and she will improve with experience. Overall though, her vocal performance is good on this release, and she has a very bright future for someone so young in this genre of music. There is some good music on this record, and I also see a rosy future for this band in and outside of their native Greece. Check them out at their facebook, while I would say that this is a band to watch out for now and in the future... 8.25/10 (Dave)

CROWMORPH..'CHROMA' EP

(Self Release) Reviewed 26th July 2011

CROWMORPH is a Thrash/Sludge Metal Group from France. The band has been going for a while, since 2003 in-fact, although under a different name, Chicken Destroy was the name then. 2011 sees the band now fronted by Amanda who takes care of all the vocals, the guttaral growls and the clean melodic vocals, which by the way are all sung in the band's native tongue. The EP is a five track aural assault of songs that would suit fans of Machine Head and Eyehategod. This may not be everybody's kind of music, but this band is attracting some attention I notice. With a line-up stronger than ever, CROWMORPH is ready to move forward and operate at maximum capacity in the ultimate goal of giving everything at each and every concert. They can be found at their Facebook... 7.75/10 (Rachel)

DESIDERIA..'END THE CURSE'

(Self Release) Reviewed 26th July 2011

Desideria hail from France, and their style of music falls into the Black Metal/Death Metal category and possible Gothic Metal too. They began in 2010 and the main vocal duties are shared between the extreme vocals of Pascal A and the angelic vocals of Mylene A. Okay, let's get something straight, this is heavy, this is dark, and it will not be to everybody's liking. But the music on the album is well done and deserves recognition from fans of the genre. 'Dragon Bravest Blizzard' kicks things off and as the title suggests, captures the feel of dragons and the like. And this song showcases very well the dual vocals of Pascal A and Mylene A. And if that number hasn't got you running behind the sofa to hide, then 'Another Dimension' will come roaring out of the speakers to deliver a punch like you have never had before. After a brief quiet synths intro on this track, we have the brutality of Pascal's singing coupled with the angelic tone of Mylene's. Lovely stuff. The album continues in a similar vein with further highlights being the headbanging but equally melodic 'Island of Death', the catchy 8+ minute 'Hellcorrespondence.com' and another 8 minute plus epic that is'Excalibur'. The band with this rehereleherease has created melodic riffs connected to rhythms that are sometimes sharp and sometimes violent, a sensitive and sensual woman's voice, united with a raging male voice, emotional lyrics combined with somewhat cruel words. If Melodic but rather Dark Death Metal is up your alleyway, this is sure worth checking out, their facebook is here and the record is worthy of 8.5/10 (Dave)

DISEMBRACE..'SCRATCHING THE SURFACE'

(Self Release) Reviewed 30th June 2011

Created in 2006 in Memphis TN, Disembrace has existed through many members and many styles, but it wasn't until November of 2009 that its sound was truly defined. In need of a new vocalist, the hard rock group was introduced to singer/songwriter Carmen LaFevers, whose creativa target=_blanke melodies and sound lyrics easily won her the position of lead singer. This is a classy Modern Alternative Rock Band, playing the sort of stuff that the Americans seem to do so well at the moment. A lot of the music here would sit very nicely on the radio alongside bands like Damsel Fly, Faces Of March, Flyleaf, Paramore and Suhgarim to name just a few. Twelve cracking tracks including the opener 'Hero', 'Dysphoria' and the catchy 'The Everafter'. This release is pretty good, so check them out at their Facebook. 8.5/10 (Dave)

DAMA..'EIRWEN'

(Ravenheart Music) Reviewed 24th June 2011

Dama were founded by beautiful singer, lyricist and composer Barbara Schera Vanoli and drummer/arranger Pierfrancesco Tarantino around Milan in Italy. The name Dama, or Lady in English, was inspired by Barbara's love of the great gothic cathedrals such as Notre Dame (Our Lady), and the album title Eirwen is the name of the fantasy land created by Barbara's imagination. Their style is lavish romantic symphonic gothic metal, similar to Silent Force Within Temptation, Stream of Passion and Rawkfist, but with a unique Latin flavour. Perfectly enhancing the music is Barbara's pure warm semi operatic voice with a touch of Marcela Bovio and the superb production by sound engineer/keyboardist Danilo Di Lorenzo that is crystal clear but rich, with a lovely ringing thump to the tom toms. Showing great ambition, they have insisted on releasing this début as a double album, the first CD 'Immaginario' has eight songs in Italian, while the second CD 'Imaginary' has four of those songs redone in English with totally different titles, not direct translations, together with three other tunes. Therefore to avoid confusion I will discuss the first Italian CD (with the English version in brackets) and then mention the three different songs on the second. 'Alba' (Breaking Dawn), 'Scatola di Vetro', 'Aprile' and 'Ombre' (Rainy Roads) are dramatic songs that swirl and sweep from tinkling piano to soaring symphonic crescendos. 'Regina d'Inverno' (Your Winter) has a strutting, swinging swagger about it, while 'Seta' (Lost) is a terrific almost Nightwish esque rocker. 'Lei' is a gorgeous ballad that reminds me of Rick Wakeman and Jon Anderson, and last track 'Oltre Eclisse' glides, swoons and sways in a very romantic Latin way, with seductive male whispers (for the ladies I hasten to add) by Barbara’s partner Jacopo Festa appropriately enough that are almost Enrique Iglesias like (or his dad Julio if you're of a certain age). Turning to the second English CD, it starts with a real highlight 'Eliot', a fantastic Domina Noctis type rocker that had me dancing around the room (not a pretty sight). Their remarkable symphonic version of Madonna's cover 'Live to Tell' is not only better than the original (I'm loving the synth sound) but also totally unrecognisable, if they didn't tell you, you would never know. The final track is the moving voice and piano enigmatically titled 'Scarlet Thoughts in Room'. My only criticism is that I would have preferred it to have been condensed into one CD with one version of each song to avoid all the confusion and the feeling of déjà vu. To sum up this is a supreme quality release that will have all lovers of symphonic metal in absolute heaven, their website is here and its available from CD Baby, a lavish romantic 9.25/10 (Phil)

SARAH JEZEBEL DEVA..'THE CORRUPTION OF MERCY'

(Listenable Records) Reviewed 24th June 2011

Angtoria's 2006 album 'God Has A Plan For Us All' is quite simply one of the greatest symphonic gothic albums of all time, and fans have been waiting a long time for a follow up. Sarah's début solo album, last years 'Sign of Sublime', was a massive disappointment, which she has admitted, however she says “in our eyes, this album should have been the first CD released under the Sarah Jezebel Deva name and we feel it's totally on par with Angtoria”. So it is with some trepidation and anticipation with which I approach this album. Her day job is backing singer with those merchants of murder Cradle of Filth, although she's never been a full member, where she uses an operatic voice, however here as in Angtoria she uses her full rich deep powerful rock voice. The biggest difference from her début are the colossal orchestrations by Pzy Clone, from the band Kovenant, which turn the songs into a more thrashing and bombastic but less catchy and melodic version of Angtoria, you could say Angtoria as played by an extreme metal band. Opener 'No Paragon of Virtue' throws the kitchen sink at you plus the washing machine and the dishwasher, songs like 'World Won't Hold You Hand' almost head towards Nightwish territory, while 'A Matter of Convenience' and title track 'The Corruption of Mercy' are perhaps more like Angtoria. Stand-out track is the piano and voice 'Pretty With Effects' which could easily take its place on 'God Has A Plan For Us All'. There are two major problems however. Sometimes there is a messy clash between Sara's gothic songs and the thrashing band with some dreadful over drumming that gets rather wearisome caused by a hyper-active death metal drummer attempting something outside his genre and abilities, quite why he's double peddling during the atmospheric beginning of 'The Eyes That Lie' goodness only knows. Secondly, it has one of the most appalling and deplorable album covers of all time outside extreme metal, which intends to shock, it's so bad it comes in a slipcase to cover it up, I suggest you keep it on. Although not nearly as good as Angtoria it is a massive improvement on her solo début, and if you fancy something midway between Angtoria and a more symphonic gothic Cradle of Filth with the Dani Filth taken out then you will enjoy this. For her website, click here, and as for the score I have to take something off for the cover making me feel sick and the drummer getting on my nerves, so a mixed 7.5/10 (Phil)

CASSANDRA SYNDROME..'SATIRE X'

(Figmental Records) Reviewed 18th June 2011

The USA has a winner here. I was suitably impressed with Cassandra Syndrome's debut release, reviewed elsewhere within the Ravenheart empire of websites, and this follow up release takes the band to a higher level through and through. A reference to the 'bread and circuses' of first century Satirist Juvenal, 'Satire X' combines poignant, socially concious lyrics, exquisite vocal melodies and masterful riffs into a metal based call to action. Eschewing the synthesizer-laden stereotypes of symphonic metal, the band formed in 2005, revolutionises the genre with a unique blend of axe-heavy melodic metal. And above this cacophony of metal, rises the resplendent operatic vocals of Irene Jericho. The action on this exquisite release begins with 'No More Peace Forever', and already the title has made me sit up and take note. In a world full of conflict, that is a title that rings true me thinks, a great metal song. 'Hell on Earth' is the next up and another title that kinda has a true meaning, and I am sure there is a message coming through to me here, as has the song 'Poison Rain'. 'The Fool' (a tarot card - "The beginning of a journey, a leap into the unknown"), is an awesome number, while another song that has a title associated with Tarot, well almost anyway, The pounding 'The Priestess' (The High Priestess - "Inituitive awareness") sends further messages to us via the lyrics of Ms Jericho, and this could be one of the heavier tracks on the record togther with the Middle Eastern vibe of 'The Iron Cross'. I was looking up the phrase 'Cassandra Syndrome' on the web. It means "The condition of speaking the truth and having no one believe you". Well I am speaking the truth when I say this album is awesome and you had better believe me :) Look them up here. Highly recommended when it appears on 1st August. 9/10 (Dave)

DRACONIAN..'A ROSE FOR THE APOCALYPSE'

(Napalm Records) Reviewed 17th June 2011

With the summer release of Draconian's fourth album, 'A Rose for the Apocalypse', the agonizing wait for this record comes to an end. The formation revolving around top-notch vocalists Anders Jacobsson and Lisa Johansson, once again delivers first-class songs that continue to prove the band's supremacy within the darkly genre. Well if it ain't broken, why fix it? The album's epic opener is more than enough to forget the hold up, as it combines the band's strengths better than ever before. Massive guitars, heavy drums, awesome melancholic melodies, deep growls, and enchanting female vocals, being all part of this obscure symbiosis uniting gothic metal and doom. Draconian delivering a hypnotic soundtrack of apocalyptic proportions, while at the same time offering up such beauty. Further epics here being the sombre 'The Last Hour of Ancient Sunlight', the near 8 minute 'Elysian Night' and 'The Quiet Storm'. This is another worthy release from these maestros who seem to be able to combine Doom and Beauty so well. Most certainly recommended! ...9/10 (Dave)

CONSORTIUM PROJECT V..'SPECIES'

(Lion Music) Reviewed 16th June 2011

A short while ago when I reviewed the wonderful Ani Lo Projekt album I mentioned that producer Ian Parry (Elegy, Crystal Tears) was also creating his new Consortium album in conjunction, well, voilà. In this fifth instalment, Earth is under attack from aliens and it is up to the women to save the world, so it is fitting that it features Ani Lozanova as well as Lene Petersen who was a member of Infinity Overture with Ian for a short while, so bringing it into the sphere of female fronted. Joining them are a veritable who's who of European prog and power metal talent, those that will be familiar to readers of these illustrious pages include including Jens Faber and Veith Offenbaecher from Dawn of Destiny, Niels Vejylt from Infinity Overture, and Kalin Jechev from Ani Lo. The outcome not surprisingly, especially as Ian has been a guest of Arjen Lucassen, is a more melodic power metal version of Ayreon. The immense colossal songs are fuelled by Stephan Lill's (Vanden Plas) turbo charged guitar and enriched with Kalin's orchestral keyboards. Ian's mighty leather lungs naturally dominate the show, with Ani and Lene providing admirable support. Everything is cranked up to 11 and rarely turned down so it can get a bit relentless, lacking the diversity of Ayreon and Ani Lo, a couple of quieter songs with one of the ladies would have given your ears a rest and given the heavier ones more impact. This also means it is difficult to single out particular tracks, they're all big, brash, bombastic, battering and brilliant but rather similar. If you like your music totally over the top then invade his website, an Armageddon of a 8.75/10 (Phil)

CHAOS IN PARADISE..'LET THE BLISS REMAIN'

(Self Release) Reviewed 15th June 2011

In the Autumn of 2008, Portuguese Melodic Metalcore band CHAOS IN PARADISE started taking their first steps in a small garage in Oporto suburbs, where Alex and Quik began to outline the identity of the band. After a few days, they started searching for other musicians to complete CHAOS IN PARADISE, and after a while they found Pedro for guitar, 19 for bass and Sara for the vocal parts. Fast forward to 2011 and the band present us with this EP. To my ears, this is one for fans of In This Moment, with Sara giving us clean and screamo vocals. The album tends to lead us into a false sense of security, with opener 'Inertia', being a quiet intro before 'Sign of Deliverance' fires it's way out of the speakers with all guns blazing. 'Awareness' offers no let up with pounding drums and Sara's awesome clean/screamo vocal style, together with a cool melodic chorus. 'The Hunter' (one of my faves on this EP) offers no let up and has another cool chorus showcasing the more melodic style of Sara's voice, plus a quieter dreamier interlude mid song. 'Beyond The Horizon' and 'Sanzu River' close this little opus, the latter being a very melodic number. To summarise, okay, this has been done before, but if you like music in the style of In This Moment, this is worth checking out (their facebook is here), 8.25/10 (Dave)

CHALICE OF FEMME METAL..'CHALICE OF OBSIDIAN'

(Download only) Reviewed 10th June 2011

There are quite a few organisations springing up and supporting our much loved genre, while proving to the sceptics that ladies in rock can and do rock. Chalice of Femme Metal has just release a 10 track compilation cd, featuring tracks by bands that most if not all of us have heard of. I think with compilation cds, you either love them or hate them, but I have on many occasion bought an album (or two!) on the strength of a track I have heard on a compilation cd. So I for one do not mind them, even though my bank balance may. Ten tracks on offer here, all showcasing very well what our genre has to offer. Tracks from Apparition, Pythia, Tainted Grace, Mask of Judas and Rhode Island Red to name just the British contingent. Plus, there is a live track, 'World of Glass' by Tristania (live Stuttgart 2005). The music on this cd will be very familiar to fans of the genre, while at the same time will be an an ideal starting point for anybody who is unfamiliar with any of the artists and is just curious. It can be downloaded here FREE. A nice effort from Chalice of Femme Metal ..8/10 (Dave)

CEPHEE LYRA..'A SINNER'S LONELINESS'

(Self Release) Reviewed 7th June 2011

From out of the depths of space between the constellations of Cepheus and Lyra comes this brand new starship captained by captivating Maud Hernequet. They are fuelled by a highly combustible French mixture of Whyzdom esque thundering symphonic power metal, prog and thrash producing enough energy to create a supernova. Maud has two vocal styles, a deeper rock mode and a pitch perfect full operatic allowing her to compete with the furious riffage and then soar into the heavens during the refrains. Prepare yourself for a cosmic voyage into highly ambitious, multi-part, excellently orchestrated, choir filled epics. After introducing you into their 'Days of Wrath' in fine orchestral style they take you into 'Burning Paradise', then on a frenetic frantic gallop with 'The Four Horsemen of the Apocalypse' before taking you down down 'Deeper into the Rage'. A brief interlude amongst the 'Dusks of Pride' does not prepare you for the attack of thrashing madness as you 'Get Lost in a Controversial Mind', and there's no letup as you fight for your life to earn 'A Destructive Victory', leaving you battered, bruised and bloodied. The 'Myth' is no fairytale, more a raging nightmare, and finally 'The Sons of Sorrow' carry you away imperiously to the final epilogue in 'The Nights of Envy'. If you like your symphonic metal fast, furious, thrashing, thrilling, dynamic and dramatic then lay in a course at Warp 13 for their myspace and engage, a stellar 8.75/10 (Phil)

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